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A Most Stylish Immortal Swan - Anna Pavlova

A Most Stylish Immortal Swan - Anna Pavlova

Anna Pavlova 1905
Anna Pavlova 1905

 

My first creative writing assignment in high school was to write a mini biography of an inspirational, historical personal hero.  Most of the other students in the class chose the more predictable figures - John F. Kennedy, Rosa Parks, Jackie Robinson, or Marie Curie.  I, of course, never happy with the status quo, wrote about a ballerina.  But before you judge... keep in mind that this wasn't an ordinary ballerina, this was the Prima prima ballerina of all time, Anna Pavlova.

 

 

If you are interested in ballet, or if you were, as I once was, a girl who dreamed of being a ballerina, you can lose yourself in countless books and blog posts about Anna Pavlova. Critics still comment on her incomparable dancing, which has been called, ethereal, magical, lyrical and soulfully light.  You can read about the pain she endured because of her severely arched feet and the difficulties she had with balance because of her frail, thin ankles. She even had to put wood on the soles of her ballet shoes for support because she had such a hard time using her own feet alone for strength.  It is believed that the modern toe shoe had its origins in Pavlova's wood solution.  But in spite of the pain and limitations of her body, she will forever be remembered as one of the greatest ballerinas of all time.  She will perhaps always be most remembered for creating the role of The Dying Swan.

[youtube=http://www.youtube.com/watch?v=QMEBFhVMZpU&w=640&h=480]

 

Though she wasn't considered to be a beauty by some, and though she was often taunted by other ballerinas for not having the same classical look or style that was customary for the time, she had a certain inexplicable presence that made her mesmerizing both on stage and in person.

 

Anna Pavlova with her cat in 1911
Anna Pavlova with her cat in 1911
"God gives talent. Work transforms talent into genius."
- Anna Pavlova
Anna Pavlova on set of the movie The Dumb Girl of Portici (1916)
Anna Pavlova on set of the movie The Dumb Girl of Portici (1916)
Charlie Chaplin and Anna Pavlova in 1916
Charlie Chaplin and Anna Pavlova in 1916
“In her art,  besides her brilliant technique, there was some kind of bright shining tenderness resembling a leaflet of a white rose. ..When Pavlova showed up on the stage I always wanted to cry with tears, no matter, as she was joyful and charming because, for me, she was the personification of the tragedy of perfection in the arts."   

-Charlie Chaplin

 


 

But if Ballet isn't your thing, don't worry.  Anna Pavlova wasn't only a ballerina, she was arguably one of the first International Superstars of the 20th century!  She was a pioneer of sorts who took ballet on the road in hopes of introducing it to people all around the world.  Everywhere she went, she was met with flowers, fanfare and enthusiasm by hundreds of fans.

 

Anna Pavlova in Egypt in 1923
Anna Pavlova in Egypt in 1923

 

Anna Pavlova arriving in Sydney in 1926
Anna Pavlova arriving in Sydney in 1926

 

Anna Pavlova with the Viscount Mishima family
Anna Pavlova with the Viscount Mishima family

If her talent and innovative approaches to touring don't impress, you might be taken with this:

 

 

The Pavlova dessert is believed to have been created in honor of Anna Pavlova during one of her tours to Australia and New Zealand in the 1920s. 

 

 

Anna Pavlova's shoes
Anna Pavlova's shoes

Have you figured out why I'm once again writing about Anna Pavlova, many years after that high school English class? If you browse through the above slide show, you might think I was enchanted by her sublimely simple and/or extraordinarily dramatic vintage ballet costumes.  You would be right about that, but the real reason I am still fascinated by Anna Pavlova is that unlike modern day superstars, she didn't have a fashion stylist,  a personal shopper or a personal designer.  She simply had style. My passion for vintage clothing gives me a new appreciation for Anna Pavlova.  From vintage Edwardian tea dresses to beaded flapper dresses, tailored suits, gorgeous hats, and Fortuny gowns, Anna Pavlova was known for her keen fashion sense and style almost as much as she was for her dancing talent. 

 

Anna Pavlova with her Boston Terrier
Anna Pavlova with her Boston Terrier

 

Anna Pavlova feeding chickens the stylish way in 1925!
Anna Pavlova feeding chickens the stylish way in 1925

 

Anna Pavlova with Alexander Jacovleff-Salsomaggiore 1925 Studio fotografico Moreschi
Anna Pavlova with Alexander Jacovleff-Salsomaggiore 1925 Studio fotografico Moreschi

Even while feeding chickens, playing with her pets, riding a camel or an elephant, or holding her beautiful swans, Anna Pavlova was the epitome of high fashion. She might have had Mr. Selfredge's attention at the department store but her style was uniquely her own.

 

 

Like the Duchess of Windsor or Coco herself, Anna Pavlova had a personal style that made you want to look at her.  She carried herself with such  confidence and exuded an air of quiet sophistication.

 

Anna Pavlova in 1927 at Ivy House
Anna Pavlova in 1927 at Ivy House
Anna Pavlova with her swan Jack
Anna Pavlova with her swan Jack
Anna Pavlova with ballet musical director Theodore-Stier
Anna Pavlova with ballet musical director Theodore-Stier

 

It's rare that a person comes along with that "certain something" that just can't be put into words.  Anna Pavlova was definitely one of those people. As long as young fashion lovers admire her style and a high school ballerina want-to-be every now and then writes an essay about her life and talent, she might enjoy a sort of immortality that eluded the beautiful swan she made so famous.

 

 

Anna Pavlova developed Pneumonia while on tour in The Hague, Netherlands, and was told she needed surgery but the surgery would render her unable to dance again.  She refused to have the operation saying,  "If I can't dance then I'd rather be dead." She died just short of her 50th birthday in the early morning of January 23, 1931. 

“Prepare my swan costume” were reported to be the last words she spoke.

 

Anna Pavlova's Dying Swan costume

Anna Pavlova's Dying Swan costume

Cloak and Dress Anna Pavlova Ballerina

Cloak and dress worn by Anna Pavlova

 

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1 comment

  • Paula Fletcher

    The photo of Anha Pavlova with tall, man wearng glasses is Efrem Kurtz, not Theodore Stier., her musical director from 1910 to 1925.
    My Grandfather was friends of Theodre Stier & Pavlova.we have his book
    With Pavlova Round te World published 1927in London. By Hurst & Beckett.

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